Description

Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent unused condition. Images are beautiful bright and vivid. No notes or highlighting. See images. Fantastic book.

About the book >.>.> CREATIVES THE WORLD OVER use nearly identical hardware software and cuts of typefaces. Design magazines annuals and blogs all present the work respectfully laid out and captioned as if a museum piece. Often divorced from the proj- ects’ history or any sense of context a designer can appreciate the style of the work but only wonder at the process of its creation. By appear- ing (often simultaneously) across these media the work of a celebrated few immediately informs the choices of thousands; resulting in a deluge of similar-looking work in which the originator’s rationale is hidden. In this comput- erized environment which has so many obvious benefits the eventual disappearance of physical sketching from the creative’s work life seemed inevitable and yet sketching in some form remains an integral part of the creative process. Why? For one thing privacy. A sketchbook allows secrets. A designer’s joy at receiving a (SP)