Description

Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. No notes or highlighting. See images. Fantastic book.

About the book >.>.> During much of the sixteenth century Rome was the artistic centre of the known world and Cardinal Alessandro Farnese the wealthy and powerful grandson of Pope Paul III was the city’s most important individual patron of the visual arts. For over fifty years Farnese commissioned buildings and paintings of the highest quality from the major artists active in the city. Using a wealth of hitherto unpublished material Clare Robertson provides the first thorough reconstruction of Farnese’s development and influence as a patron at the same time raising important questions about the attitudes and motives of Renaissance patrons and challenging a number of current art-historical assumptions about patronage. She shows how Farnese began his patronage with costly works of decorative art and then embarked on an extensive campaign of secular commissions from artists such as Titian Vasari and Taddeo Zuccaro. His secular patronage culminated with his magnificent villa at Caprarola designed by Vignola. Only in the 1560s after some thirty years as a Cardinal did he turn to commissions for religious works mainly in response to Counter Reformation pressures and because of his fervent desire to become Pope. The emphasis of his patronage then changed dramatically as he embarked on building an impressive number of new churches including the Ges? the most influential church of the late sixteenth century.